Haines Guitars
Haines Guitars
More
data:image/gif;base64,R0lGODlhAQABAAD/ACwAAAAAAQABAAACADs=

h a i n e s g u i t a r s

h a i n e s g u i t a r sh a i n e s g u i t a r sh a i n e s g u i t a r s

Handcrafted Concert Classical Guitars

Book an Appointment

905-430-1112

h a i n e s g u i t a r s

h a i n e s g u i t a r sh a i n e s g u i t a r sh a i n e s g u i t a r s

Handcrafted Concert Classical Guitars

Book an Appointment

905-430-1112

Social

About Me

Player & Builder

Satisfaction Guaranteed

Communication is Key

In an effort to better understand the dynamics of the sound of a true Concert Classical Guitar, and what makes one that, I had to dig deep, and actually learn all the subtleties of their construction. With the help of MANY skilled Luthiers (John Bogdanovich, David Wren, David Easser, Serge De Jonge, Tony Karol, Gord Barry) I was able to understand what it took as a builder, and have both sides of the equation. I know what a guitar should feel like, sound like, respond like. And I hope I can help you get "your" sound.  

I build one guitar at a time, and no two look the same.

Communication is Key

Satisfaction Guaranteed

Communication is Key

As a Custom Guitar builder, I will work closely with you to understand what it is you're looking for in an instrument, and together we will design a guitar that will become something that will be handed down for years to come.


Satisfaction Guaranteed

Satisfaction Guaranteed

Satisfaction Guaranteed

Your guitar will be guaranteed for as long as you own it, but things  such as neglect and improper storage will automatically void this warranty.
 

About My Guitars

Design

Materials

Materials

My guitar's are loosely based on the Hauser design, in that they are similar in size, with a single top, however the 7 fan bracing pattern is quite different, and that is derived from John Bogdanivich's design. I laminate and finish the inside of the sides and I use solid linings. this creates great stiffness, as well as stability in the sides, it creates a moisture barrier, and as well, adds atheistic beauty. All my guitars use the traditional Spanish Heel design, this also aids in the transfer of vibration throughout the instrument.

Materials

Materials

Materials

I source my materials from many different places, through the contacts I've made over the years. I will never use anything other than top grade materials on my guitars. No matter how hard it may be to get, I will find a way to get it. A wiser Luthier than me once said. "If you make a guitar using "cheaper or lesser grade" wood, and it doesn't sound or play good, how will you know if it's because of the wood or not" So I only use the best materials, period.

Finishing

Materials

Finishing

All my guitars are finished using the time tested method of French Polishing. I start by applying 2-3 coats/sessions of epoxy to fill the pores, hand sanding it back in-between coats. Then I start the French Polishing process. Once I'm satisfied with the thickness of the finish I start wet sanding and polishing the finish to a high gloss, all done by hand. The result is a beautiful, deep, rich finish that minimizes the restrictions to the top that other finishes can do to a guitar.

Gallery

    Video Content

    Playing No.1

    Here's reknowned classical guitarist Tariq Harb playing the first guitar I built.

    On the Bench

      Available Guitars - SOLD

        Details/Price List

        Standard Concert Classical

        The Concert Classical with all of the standard features

        Standard Features

        $2,750 (CDN)

        • AAA Spruce or Western Red Cedar Top
        • East Indian Rosewood Back and Sides
        • Ebony Fingerboard
        • Mahogony or Spanish Cedar Neck
        • Decorative one of a kind Rosette
        • Standard Scale length (650mm)
        • Hand Rubbed French Polish finish.
        • Standard Gotoh or Schaller Tuners.
        • Standard hardshell case.


        Additions/Customizations

        Things that are extra to the cost of the Standard Guitar

        Wood Choices

        • Brazillian Rosewood Back & Sides ..........................................$2,000
        • Ziricote, Cocobolo, Macassar Ebony, or other exotics................................................................................................................$1,000
        • Tuner Upgrades...............................(Price dependant on choice)
        • Cases...............(Custom cases can be ordered at owners expense)

        Payment and Terms

        On standard guitars a $500 non-refundable deposit is required. 

        The balance is then due prior to delivery of the guitar. 

        All non-standard guitars require a $1000 non refundable deposit.


        Guitars that are not ordered directly through me, will be sold at The Twelfth Fret in Toronto.  Ask for Mike Gray or Brian Dickie.

        Current wait time for an instrument is approximately 8 months to one year. But could vary depending on what's in the queue.

        Contact Me

        Send Message

        This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

        To Discuss Your Dream Build

        Please contact me at your convenience.  I look forward to working with you.

        Haines Guitars

        Whitby, ON

        905-430-1112

        Hours

        Monday - Friday: 8am - 5pm

        Saturday - Sunday: Closed

        https://www.facebook.com/Classicalguitar63/

        Testimonials

        Josh - Ann Arbor, Michigan

         " It's a fantastic instrument--wonderful tone, dynamics, sustain, string separation, elegant craftsmanship, beautiful details. It's extraordinary! " 

        Links

        Here's some links to a few of the fine people who I have, and still do work with.

        • The Twelfth Fret
        • John Bogdanovich Guitars
        • David Wren (Wren Guitar Works)
        • G.W.Barry Guitars
        • Tony Karol Guitars 
        • David Easser


        Copyright © 2023 Haines Guitars - All Rights Reserved.


        Powered by GoDaddy